#Multitrack recording logic pro x mac

This all leads me to believe that I must make a settings change in Reaper to resolve this if possible. I tried the same set of procedures substituting Ableton Live for Logic to see if there was a difference.there isn't.exact same thing.

timing is SPOT ON each and every is just that Reaper starts recording at that same point sometime between half a bar or more afterwards. I hard rewind everything and repeat the play procedureĦ. I hit play on Logic and Reaper kicks in either half a bar or more afterwards.ĥ. Reaper awaits the incoming timing message from Logic.ģ. I set Reaper to SPP (song position pointer) slave sync and hit the record button.Ģ.

#Multitrack recording logic pro x mac

The master is Logic Pro X running on a 2012 Mac mini.ġ. This can help maintain a natural feel of the performance, while also quantizing transients that fall outside the selected range.I am using Reaper as a multitrack recorder on a 2011 MacBook air with a Behringer XR18 as an interface for both audio input and midi clock. I know about auto remix, selecting multiple tracks and nothing works. You can use negative Q-Range values to move transients that fall outside the quantize value you've chosen. I cant record parts from separate controllers. For example, if you choose 1/32, then any transient farther away than 1/32 note from the quantization grid you choose will not be quantized. Plenty of music creation and multitrack audio recording apps. Q-Range limits quantization to transients that fall within the value you choose. (Apple) Apple has a new way for you to record and produce musicand it could change the way you work. Experiment until you get the result you want.

Choose a relatively short value such as 1/24 or 1/32.

Click the up/down arrows to the right of the Q-Range parameter.

In the Region inspector for the track, click the More disclosure triangle.

You can prevent this by setting an appropriate Q-Range value in the Region inspector: For example, if you choose a quantize value of 1/8 note, a transient in between grid positions like a 1/16 note is moved to the nearest 1/8 note in places where there is no transient on the 1/8 note grid. When you apply quantization, you might find that Logic Pro quantizes some transients to unexpected positions. For example, apply quantization to the tracks or manually insert flex markers and drag audio in the reference tracks to desired positions. Transient edits won't carry over to your subsequent timing adjustments if the Q-Reference buttons are enabled. If you want to edit tracks in the Audio File Editor after turning on Q-Reference buttons, make sure to turn them off before editing.

Turn on the Q-Reference button for the tracks you want to use as Q-Reference.

Their timing will be adjusted with sample accuracy based on the transients in the Q-Referenced tracks. You don't have to adjust the transients for the other tracks in the group.

Repeat these steps for any other tracks you're using as Q-Reference.

In the Audio File Editor, you can add or remove transient markers, move incorrectly placed transients, or manually add or remove transients.

After Logic analyzes the file, check the transients in the Audio File Editor to make sure they are positioned correctly.

Open one of the tracks you want to use as a Q-Reference in the Audio File Editor, then choose Audio File > Detect Transients.

The button is green when the Q-Reference is turned on, and gray when it is turned off.

In the Track Header of the Tracks area, turn off all the Q-Reference buttons on all the tracks in the group.

If you used multiple microphones on either drum, choose one track for each. For best results in most cases, choose the snare and kick drum track (or whichever tracks contain the main instruments for determining the rhythm).

Q-reference tracks determine quantization for the rest of the tracks in the group.